Publications: DR Ed Charlton
(
2024
)
.
Small arts organisations, social value and policy: A policy case study of the London School of Mosaic
.
King's College London
(
2023
)
.
Adapting Coetzee for the Stage and Screen
.
The Bloomsbury Handbook to J. M. Coetzee
,
Bloomsbury Publishing
(
2023
)
.
Urban Atmospherics
.
Writing Place: Journal for Architecture and Literature
vol.
7
,
(
2022
)
.
Performance and the Afterlives of Injustice: Dance and Live Art in Contemporary South Africa and Beyond By Catherine M. Cole. Ann Arbor: Michigan University Press, 2020, pp. xviii + 286, 18 illustrations. $85 cloth, $39.95 paper, $39.95 e-book
.
Theatre Survey
vol.
63
,
(
1
)
115
-
117
.
(
2021
)
.
Improvising Reconciliation
.
Liverpool University Press
(
2021
)
.
Improvising Reconciliation Confession after the Truth Commission
.
Liverpool University Press
(
2020
)
.
The Zero-Hour City: Writing London in the End Times
.
GeoHumanities
vol.
6
,
(
2
)
280
-
294
.
(
2019
)
.
Trashing Johannesburg: <i>Ponte City</i>-as-archive of everyday loss
.
cultural geographies
vol.
27
,
(
2
)
277
-
292
.
(
2017
)
.
Melancholy mapping
.
Thesis Eleven
vol.
141
,
(
1
)
14
-
30
.
(
2017
)
.
Apartheid Acting Out: Trauma, Confession and the Melancholy of Theatre in Yaël Farber's<i>He Left Quietly</i>
.
Theatre Research International
vol.
42
,
(
1
)
55
-
71
.
(
2015
)
.
From Liberation to Liberalization
.
Interventions
vol.
17
,
(
6
)
826
-
838
.
(
2011
)
.
““Only literature can perform the miracle of reconciliation””: A Resurrection of the Logos in South Africa's Truth Commission
.
Research in African Literatures
vol.
42
,
(
4
)
114
-
114
.