Publications: PROF Andrew Mcpherson
Reed CN, Benito AL, Caspe F, McPherson AP
(
2024
)
.
Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus
.
ACM Transactions on Computer-Human Interaction
vol.
31
,
(
6
)
1
-
41
.
Shier J, Saitis C, Robertson A, McPherson A
(
2024
)
.
Real-time Timbre Remapping with Differentiable DSP
.
Morrison L, McPherson A
(
2024
)
.
Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions
.
Proceedings of the CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '24: CHI Conference on Human Factors in Computing Systems1
-
17
.
Robson N, McPherson A, Bryan-Kinns N
(
2024
)
.
Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation
.
Proceedings of the CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '24: CHI Conference on Human Factors in Computing Systems1
-
14
.
Reed CN, Pearce M, McPherson A
(
2024
)
.
Auditory imagery ability influences accuracy when singing with altered auditory feedback
.
Musicae Scientiae
vol.
28
,
(
3
)
478
-
501
.
Shier J, Caspe F, Robertson A, Sandler M, Saitis C, McPherson A
.
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis
.
Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023
.
Conference:
10th Convention of the European Acoustics Association Forum Acusticum 2023
from:
11/09/2023
to:
15/09/2023
,
2225
-
2232
.
Wolstanholme L, McPherson A
.
Towards Orchestrating Physically Modelled 2D Percussion Instruments
.
Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023
.
Conference:
10th Convention of the European Acoustics Association Forum Acusticum 2023
from:
11/09/2023
to:
15/09/2023
,
2193
-
2200
.
Hayes B, Shier J, Fazekas G, McPherson A, Saitis C
(
2024
)
.
A review of differentiable digital signal processing for music and speech synthesis
.
Frontiers in Signal Processing
vol.
3
,
Article
1284100
,
Shier J, Saitis C, Robertson A, McPherson A
(
2024
)
.
Real-time Timbre Remapping with Differentiable DSP
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Mice L, McPherson AP
(
2023
)
.
Chaos Bells: Instrument Size and Entangled Music Performance
.
Contemporary Music Review
vol.
42
,
(
3
)
363
-
375
.
Caspe F, McPherson A, Sandler M
(
2023
)
.
FM Tone Transfer with Envelope Learning
.
Proceedings of the 18th International Audio Mostly Conference
.
Conference:
AM '23: Audio Mostly 2023116
-
123
.
Caspe F, McPherson A, Sandler M
(
2023
)
.
FM Tone Transfer with Envelope Learning
.
Shier J, Caspe F, Robertson A, Sandler M, Saitis C, McPherson A
(
2023
)
.
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis
.
(
2023
)
.
A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis
.
Wolstanholme L, Vahidi C, Mcpherson A
(
2023
)
.
Hearing from Within a Sound: A Series of Techniques for Deconstructing and Spatialising Timbre
.
Conference:
International Conference on Spatial and Immersive Audio (AES)
(
University of Huddersfield
)
from:
23/08/2023
to:
25/08/2023
,
(
2023
)
.
Real-time Percussive Technique Recognition and Embedding Learning for\n the Acoustic Guitar
.
Nordmoen C, McPherson AP
(
2023
)
.
What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving
.
Proceedings of the 2023 ACM Designing Interactive Systems Conference
.
Conference:
DIS '23: Designing Interactive Systems Conference779
-
789
.
Zheng J, Mcpherson A, Bryan-Kinns N
(
2023
)
.
When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction
.
Proceedings of the 2023 ACM Designing Interactive Systems Conference
.
Conference:
DIS '23: Designing Interactive Systems Conference312
-
325
.
Clayton M, Wang L, McPherson A, Cavallaro A
(
2023
)
.
An Embedded Multichannel Sound Acquisition System for Drone Audition
.
IEEE Sensors Journal
vol.
23
,
(
12
)
13377
-
13386
.
Zayas-Garin E, Nordmoen C, Mcpherson A
(
2023
)
.
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers
.
Conference:
New Interfaces for Musical Expression 2023
(
Mexico City
)
from:
31/05/2023
to:
03/06/2023
,
Pelinski Ramos T, Caspe F, Mcpherson A, Sandler M
(
2023
)
.
Computing ecosystems: neural networks and embedded hardware platforms
.
Conference:
CHI 2023
(
Hamburg, Germany
)
from:
23/05/2023
to:
28/05/2023
,
Reed CN, Strohmeier P, McPherson AP
(
2023
)
.
Negotiating Experience and Communicating Information Through Abstract Metaphor
.
Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '23: CHI Conference on Human Factors in Computing Systems1
-
16
.
Reed CN, McPherson AP
(
2023
)
.
The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback
.
Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction
.
Conference:
TEI '23: Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction1
-
15
.
Pelinski T, Diaz R, Benito Temprano AL, McPherson A
(
2023
)
.
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Martelloni A, McPherson AP, Barthet M
(
2023
)
.
REAL-TIME PERCUSSIVE TECHNIQUE RECOGNITION AND EMBEDDING LEARNING FOR THE ACOUSTIC GUITAR
.
24th International Society for Music Information Retrieval Conference Ismir 2023 Proceedings
.
121
-
128
.
Dannemann T, Bryan-Kinns N, McPherson AP
(
2023
)
.
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Pigrem J, Mcpherson A, Bryan-Kinns N, Jack R
(
2022
)
.
Sound -> Object -> Gesture: Physical Affordances of Virtual Materials
.
AudioMostly 2022
.
Conference:
AM '22: AudioMostly 202259
-
66
.
Caspe F, McPherson A, Sandler M
(
2022
)
.
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds
.
Nordmoen C, McPherson AP
(
2022
)
.
Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system
.
Designing Interactive Systems Conference
.
Conference:
DIS '22: Designing Interactive Systems Conference415
-
423
.
Zheng J, Bryan-Kinns N, McPherson AP
(
2022
)
.
Material Matters: Exploring Materiality in Digital Musical Instruments Design
.
Designing Interactive Systems Conference
.
Conference:
DIS '22: Designing Interactive Systems Conference976
-
986
.
Mice L, McPherson AP
(
2022
)
.
Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design
.
CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '22: CHI Conference on Human Factors in Computing Systems1
-
15
.
Reed CN, Skach S, Strohmeier P, McPherson AP
(
2022
)
.
Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances
.
Augmented Humans 2022
.
Conference:
AHs 2022: Augmented Humans 2022170
-
183
.
Robson N, Bryan-Kinns N, McPherson A
(
2022
)
.
On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners
.
Organised Sound
vol.
28
,
(
1
)
25
-
34
.
Caspe F, McPherson A, Sandler M
(
2022
)
.
DDX7: DIFFERENTIABLE FM SYNTHESIS OF MUSICAL INSTRUMENT SOUNDS
.
Proceedings of the 23rd International Society for Music Information Retrieval Conference Ismir 2022
.
608
-
616
.
Benito Temprano AL, McPherson A
(
2021
)
.
A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar
.
Audio Mostly 2021
.
Conference:
AM '21: Audio Mostly 2021256
-
263
.
Lepri G, McPherson A
(
2021
)
.
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology
.
Computer Music Journal
vol.
45
,
(
3
)
39
-
57
.
Mice L, Mcpherson A
(
2021
)
.
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments
.
Perception, Representations, Image, Sound, Music 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019, Revised Selected Papers
,
vol.
12631
,
Springer
(
Marseille, France
),
Reed CN, McPherson AP
(
2021
)
.
Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists
.
Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction
.
Conference:
TEI '21: Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction1
-
11
.
(
2021
)
.
An embedded multichannel sound acquisition system for drone audition
.
Moro G, McPherson AP
(
2020
)
.
Performer Experience on a Continuous Keyboard Instrument
.
Computer Music Journal
vol.
44
,
(
2-3
)
69
-
91
.
Lepri G, Mcpherson A, Nonnis A, Stapleton P, Andersen K, Mudd T, Bowers J, Bennett P et al.
(
2020
)
.
Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME
.
Conference:
New Interfaces for Musical Expression Workshop (NIME '20), Royal Birmingham Conservatoire, Birmingham, UK.
Lepri G, McPherson A, Bowers J
(
2020
)
.
Useless, not Worthless
.
Proceedings of the 2020 ACM Designing Interactive Systems Conference
.
Conference:
DIS '20: Designing Interactive Systems Conference 20201887
-
1899
.
McPherson A, Tahıroğlu K
(
2020
)
.
Idiomatic Patterns and Aesthetic Influence in Computer Music Languages
.
Organised Sound
vol.
25
,
(
1
)
53
-
63
.
Morreale F, Bin SMA, McPherson AP, Stapleton P, Wanderley MM
(
2020
)
.
A nime of the times: Developing an outward-looking political agenda for this community
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
160
-
165
.
Moro G, McPherson AP
(
2020
)
.
A platform for low-latency continuous keyboard sensing and sound generation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
97
-
102
.
McPherson A, Lepri G
(
2020
)
.
Beholden to our tools: Negotiating with technology while sketching digital instruments
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
434
-
439
.
Guidi A, Morreale F, McPherson A
(
2020
)
.
Design for auditory imagery: Altering instruments to explore performer fluency
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
103
-
108
.
Jack RH, Harrison J, McPherson AP
(
2020
)
.
Digital musical instruments as research products
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
446
-
451
.
Mice L, McPherson A
(
2020
)
.
From miming to NIMEing: The development of idiomatic gestural language on large scale DMIs
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
570
-
575
.
Martelloni A, McPherson A, Barthet M
(
2020
)
.
Percussive fingerstyle guitar through the lens of nime: An interview study
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
440
-
445
.
Avila JM, Tsaknaki V, Karpashevich P, Windlin C, Valenti N, Höök K, McPherson A, Benford S
(
2020
)
.
Soma design for nime
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
489
-
494
.
Reed CN, McPherson AP
(
2020
)
.
Surface electromyography for direct vocal control
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
458
-
463
.
Lepri G, McPherson A, Bowers J
(
2020
)
.
Useless, not Worthless: Absurd Making as Critical Practice
.
PROCEEDINGS OF THE 2020 ACM DESIGNING INTERACTIVE SYSTEMS CONFERENCE (DIS 2020)
.
1887
-
1899
.
McPherson A
(
2019
)
.
Augmenting Musical Performance
.
The Cambridge Companion to Music in Digital Culture
,
Cambridge University Press
Armitage J, McPherson A
(
2019
)
.
Bricolage in a hybrid digital lutherie context
.
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
.
Conference:
AM'19: Audio Mostly82
-
89
.
Armitage J, McPherson A
(
2019
)
.
Bricolage in a hybrid digital lutherie context: A workshop study
.
ACM International Conference Proceeding Series
.
82
-
89
.
Nordmoen C, Armitage J, Morreale F, Stewart R, McPherson A
(
2019
)
.
Making Sense of Sensors
.
Proceedings of the 2019 on Designing Interactive Systems Conference
.
Conference:
DIS '19: Designing Interactive Systems Conference 2019135
-
146
.
Lepri G, McPherson A
(
2019
)
.
Making Up Instruments
.
Proceedings of the 2019 on Designing Interactive Systems Conference
.
Conference:
DIS '19: Designing Interactive Systems Conference 2019113
-
126
.
Harrison J, Chamberlain A, McPherson AP
(
2019
)
.
Accessible Instruments in the Wild
.
Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '19: CHI Conference on Human Factors in Computing Systems1
-
6
.
Hazzard A, Greenhalgh C, Kallionpaa M, Benford S, Veinberg A, Kanga Z, McPherson A
(
2019
)
.
Failing with Style
.
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '19: CHI Conference on Human Factors in Computing Systems1
-
14
.
Pardue LS, McPherson A
(
2019
)
.
Real-Time Aural and Visual Feedback for Improving Violin Intonation
.
Frontiers in Psychology
vol.
10
,
Article
627
,
McPherson A, Benford S
(
2019
)
.
Music, Design and Ethnography: An Interview with Steve Benford
.
Springer Series on Cultural Computing
,
Springer International Publishing
McPherson A, Morreale F, Harrison J
(
2019
)
.
Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches
.
Springer Series on Cultural Computing
,
Springer International Publishing
McPherson A, Verplank B
(
2019
)
.
The Poetry of Strange Connections: An Interview with Bill Verplank
.
Springer Series on Cultural Computing
,
Springer International Publishing
Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM
(
2019
)
.
Understanding Music Interaction, and Why It Matters
.
Springer Series on Cultural Computing
,
Springer International Publishing
Lepri G, McPherson A
(
2019
)
.
Fictional instruments, real values: Discovering musical backgrounds with non-functional prototypes
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
122
-
127
.
Morreale F, Guidi A, McPherson A
(
2019
)
.
Magpick: An augmented guitar pick for nuanced control
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
65
-
70
.
Pardue LS, Buys K, Edinger M, Overholt D, McPherson AP
(
2019
)
.
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
278
-
283
.
Turchet L, McPherson A, Fischione C
(
2019
)
.
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences
.
Smc 2016 13th Sound and Music Computing Conference Proceedings
.
498
-
505
.
Morreale F, Armitage J, McPherson A
(
2018
)
.
Effect of Instrument Structure Alterations on Violin Performance
.
Frontiers in Psychology
vol.
9
,
Article
2436
,
Zappi V, McPherson A
(
2018
)
.
Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction
.
Frontiers in ICT
vol.
5
,
Article
26
,
Jack RH, Mehrabi A, Stockman T, McPherson A
(
2018
)
.
Action-sound Latency and the Perceived Quality of Digital Musical Instruments
.
Music Perception
vol.
36
,
(
1
)
109
-
128
.
Turchet L, McPherson A, Barthet M
(
2018
)
.
Real-Time Hit Classification in a Smart Cajón
.
Frontiers in ICT
vol.
5
,
Article
16
,
Turchet L, McPherson A, Barthet M
(
2018
)
.
Co-design of a Smart Cajón
.
Journal of the Audio Engineering Society
vol.
66
,
(
4
)
220
-
230
.
Armitage J, McPherson A
(
2018
)
.
Crafting digital musical instruments: An exploratory workshop study
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
281
-
286
.
Jack RH, Harrison J, Morreale F, McPherson A
(
2018
)
.
Democratising DMIs: The relationship of expertise and control intimacy
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
134
-
139
.
Pigrem J, McPherson A
(
2018
)
.
Do we speak sensor? Cultural constraints of embodied interaction
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
382
-
385
.
Pardue LS, McPherson A, Overholt D
(
2018
)
.
Improving the instrumental learning experience through complexity management
.
Proceedings of the 15th Sound and Music Computing Conference Sonic Crossings Smc 2018
.
150
-
157
.
Lepri G, McPherson A
(
2018
)
.
Mirroring the past, from typewriting to interactive art: An approach to the re-design of a vintage technology
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
328
-
333
.
Morreale F, McPherson AP, Wanderley MM
(
2018
)
.
NIME identity from the performer’s perspective
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
168
-
173
.
Buys K, McPherson A
(
2018
)
.
Real-time bowed string feature extraction for performance applications
.
Proceedings of the 15th Sound and Music Computing Conference Sonic Crossings Smc 2018
.
316
-
323
.
Bin SMA, Bryan-Kinns N, McPherson AP
(
2018
)
.
Risky business: Disfluency as a design strategy
.
NIME
.
45
-
50
.
Harrison J, Jack RH, Morreale F, McPherson A
(
2018
)
.
When is a guitar not a guitar? Cultural form, input modality and expertise
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
299
-
304
.
Moro G, McPherson AP, Sandler MB
(
2017
)
.
Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance
.
The Journal of the Acoustical Society of America
vol.
142
,
(
5
)
2808
-
2822
.
Harrison J, McPherson AP
(
2017
)
.
Adapting the Bass Guitar for One-Handed Playing
.
Journal of New Music Research
vol.
46
,
(
3
)
270
-
285
.
Jack RH, Stockman T, McPherson A
(
2017
)
.
Rich gesture, reduced control
.
Proceedings of the 4th International Conference on Movement Computing
.
Conference:
MOCO '17: 4th International Conference on Movement Computing1
-
8
.
MCPHERSON A, ARMITAGE JDK, BIN SMA, MORREALE F, JACK R
(
2017
)
.
NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie
.
Conference:
New Interfaces for Musical Expression
Morreale F, Moro G, Chamberlain A, Benford S, McPherson AP
(
2017
)
.
Building a Maker Community Around an Open Hardware Platform
.
Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '17: CHI Conference on Human Factors in Computing Systems6948
-
6959
.
McPherson A
(
2017
)
.
Bela: An embedded platform for low-latency feedback control of sound
.
The Journal of the Acoustical Society of America
vol.
141
,
(
5_Supplement
)
3618
-
3618
.
Donovan L, McPherson A
(
2017
)
.
Traveling wave control of stringed musical instruments
.
The Journal of the Acoustical Society of America
vol.
141
,
(
5_Supplement
)
3619
-
3619
.
Jack RH, Stockman T, McPherson A
(
2017
)
.
Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments
.
Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction
.
Conference:
TEI '17: Eleventh International Conference on Tangible, Embedded, and Embodied Interaction717
-
720
.
McPherson A
(
2017
)
.
2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard
.
Current Research in Systematic Musicology
,
Springer International Publishing
Harrison J, McPherson A
(
2017
)
.
An adapted bass guitar for one-handed playing
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
507
-
508
.
Morreale F, Masu R, McPherson A
(
2017
)
.
Constraining control in mixed-initiative musical interfaces
.
Ceur Workshop Proceedings
.
vol.
1907
,
Morreale F, McPherson AP
(
2017
)
.
Design for longevity: Ongoing use of instruments from nime 2010-14
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
192
-
197
.
Bin SMA, Bryan-Kinns N, McPherson AP
(
2017
)
.
Hands where we can see them! Investigating the impact of gesture size on audience perception
.
ICMC
.
Bin SMA, Morreale F, Bryan-Kinns N, McPherson AP
(
2017
)
.
In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance
.
INTERACT (1)
.
vol.
10513
,
263
-
281
.
Liang B, Fazekas G, McPherson A, Sandler M
(
2017
)
.
Piano pedaller: A measurement system for classification and visualisation of piano pedalling techniques
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
325
-
329
.
Armitage J, Morreale F, McPherson A
(
2017
)
.
“The finer the musician, the smaller the details”: NIMEcraft under the microscope
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
393
-
398
.
LIANG B, fazekas G, mcpherson A, sandler M
(
2016
)
.
Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System
.
DMRN+11: Digital Music Research Network Workshop Proceedings 2016
.
Conference:
DMRN+11: Digital Music Research Network One-day Workshop 2016
(
Centre for Digital Music, Queen Mary University of London
)
from:
20/12/2016
to:
20/12/2016
,
Jack RH, Stockman T, McPherson A
(
2016
)
.
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument
.
Proceedings of the Audio Mostly 2016
.
Conference:
AM '16: Audio Mostly 2016116
-
123
.
MORO G, Bin A, Jack RH, Heinrichs C, McPherson AP
(
2016
)
.
Making High-Performance Embedded Instruments with Bela and Pure Data
.
Conference:
International Conference on Live Interfaces
(
University of Sussex
)
from:
29/06/2016
to:
03/07/2016
,
McPherson AP, Chamberlain A, Hazzard A, McGrath S, Benford S
(
2016
)
.
Designing for Exploratory Play with a Hackable Digital Musical Instrument
.
Proceedings of the 2016 ACM Conference on Designing Interactive Systems
.
Conference:
DIS '16: Designing Interactive Systems Conference 20161233
-
1245
.
Sulyok C, McPherson A, Harte C
(
2016
)
.
Evolving the process of a virtual composer
.
Natural Computing
vol.
18
,
(
1
)
47
-
60
.
Holland S, McPherson AP, Mackay WE, Wanderley MM, Gurevich MD, Mudd TW, O'Modhrain S, Wilkie KL et al.
(
2016
)
.
Music and HCI
.
Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems
.
Conference:
CHI'16: CHI Conference on Human Factors in Computing Systems3339
-
3346
.
Jack R, Stockman T, McPherson A
(
2016
)
.
Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback
.
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction
.
Conference:
TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction3
-
11
.
Heinrichs C, McPherson A
(
2016
)
.
Performance-Led Design of Computationally Generated Audio for Interactive Applications
.
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction
.
Conference:
TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction697
-
700
.
McPherson AP, Jack RH, Moro G
(
2016
)
.
Action-sound latency: Are our tools fast enough?
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
20
-
25
.
Bin SMA, Bryan-Kinns N, McPherson AP
(
2016
)
.
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response
.
NIME
.
200
-
205
.
Pardue LS, Harte C, McPherson AP
(
2015
)
.
A Low-Cost Real-Time Tracking System for Violin
.
Journal of New Music Research
vol.
44
,
(
4
)
305
-
323
.
Sulyok C, McPherson A, Harte C
.
Corpus-taught Evolutionary Music Composition
.
07/20/2015-07/24/2015
.
Conference:
European Conference on Artificial Life 2015587
-
594
.
MacRitchie J, McPherson AP
(
2015
)
.
Integrating optical finger motion tracking with surface touch events
.
Frontiers in Psychology
vol.
6
,
McPherson A
(
2015
)
.
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments
.
Computer Music Journal
vol.
39
,
(
2
)
28
-
46
.
Moro G, McPherson AP
(
2015
)
.
APPROXIMATING NON-LINEAR INDUCTORS USING TIME-VARIANT LINEAR FILTERS
.
DAFX-15: PROCEEDINGS OF THE 18TH INTERNATIONAL CONFERENCE ON DIGITAL AUDIO EFFECTS
.
249
-
256
.
Donovan LB, McPherson AP
(
2015
)
.
Active control of a string instrument bridge using the posicast technique
.
138th Audio Engineering Society Convention 2015
.
vol.
1
,
555
-
561
.
McPherson AP, Zappi V
(
2015
)
.
An environment for submillisecond-latency audio and sensor processing on beaglebone black
.
138th Audio Engineering Society Convention 2015
.
vol.
2
,
965
-
971
.
McPherson AP, Zappi V
(
2015
)
.
Exposing the scaffolding of digital instruments with hardware-software feedback loops
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
162
-
167
.
Menzies DWH, McPherson AP
(
2015
)
.
Highland piping ornament recognition using dynamic time warping
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
50
-
53
.
Jack RH, MCPHERSON A, Stockman T
(
2015
)
.
The design of tactile musical devices for the deaf
.
Conference:
International Conference on the Multimodal Experience of Music
(
Sheffield, UK
)
Reiss JD, McPherson A
(
2014
)
.
Audio Effects Theory, Implementation and Application
.
CRC Press
Heinrichs C, Mcpherson A
(
2014
)
.
Mapping and interaction strategies for performing environmental sound
.
2014 IEEE VR Workshop: Sonic Interaction in Virtual Environments (SIVE)
.
Conference:
2014 IEEE VR Workshop: Sonic Interaction in Virtual Environments (SIVE)
from:
29/03/2014
to:
29/03/2014
,
25
-
30
.
Zappi V, MCPHERSON A
(
2014
)
.
Design and use of a hackable digital instrument
.
Conference:
International Conference on Live Interfaces
(
Lisbon, Portugal
)
Zappi V, McPherson AP
(
2014
)
.
Dimensionality and appropriation in digital musical instrument design
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
455
-
460
.
Heinrichs C, MCPHERSON A, Farnell A
(
2014
)
.
Human Performance of Computational Sound Models for Immersive Environments
.
The New Soundtrack
vol.
4
,
(
2
)
139
-
155
.
Topliss JW, Zappi V, MCPHERSON A
(
2014
)
.
Latency Performance for Real-Time Audio on BeagleBone Black
.
Conference:
Linux Audio Conference
(
Karlsruhe, Germany
)
Pardue LS, Nian D, Harte C, McPherson AP
(
2014
)
.
Low-latency audio pitch tracking: A multi-modal sensor-assisted approach
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
54
-
59
.
Sokolovskis J, McPherson AP
(
2014
)
.
Optical measurement of acoustic drum strike locations
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
70
-
73
.
Arellano DG, McPherson AP
(
2014
)
.
Radear: A tangible spinning music sequencer
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
84
-
85
.
Donovan LB, McPherson AP
(
2014
)
.
The talking guitar: Headstock tracking and mapping strategies
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
351
-
354
.
Vetter L, Terrell MJ, Simpson AJR, McPherson A
(
2013
)
.
Estimation of overdrive in music signals
.
134th Audio Engineering Society Convention 2013
.
846
-
851
.
McPherson AP, Gierakowski A, Stark AM
(
2013
)
.
The space between the notes
.
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '13: CHI Conference on Human Factors in Computing Systems2195
-
2204
.
McPherson AP, Kim YE
(
2013
)
.
Piano Technique as a Case Study in Expressive Gestural Interaction
.
Springer Series on Cultural Computing
,
Springer London
HEDGES TW, MCPHERSON A
(
2013
)
.
3D Gestural Interaction with Harmonic Pitch Space
.
Conference:
Proceedings of the 10th Sound and Music Computing Conference (SMC)
(
Stockholm
)
103
-
108
.
MENZIES DWH, MCPHERSON A
(
2013
)
.
A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition
.
Conference:
Proceedings of the Stockholm Music Acoustics Conference
(
Stockholm
)
440
-
445
.
Pardue LS, McPherson AP
(
2013
)
.
Near-field optical reflective sensing for bow tracking
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
363
-
368
.
McPherson AP
(
2013
)
.
Portable measurement and mapping of continuous piano gesture
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
152
-
157
.
Burdiel E, Vetter L, Simpson AJR, Terrell MJ, Mcpherson A, Sandler M
(
2012
)
.
Real-time implementation of glasberg & moore's loudness model for time-varying sounds
.
133rd Audio Engineering Society Convention 2012 AES 2012
.
vol.
1
,
107
-
115
.
McPherson AP, Kim YE
(
2012
)
.
The problem of the second performer: Building a community around an augmented piano
.
Computer Music Journal
vol.
36
,
(
4
)
10
-
27
.
Heinrichs C, McPherson A
(
2012
)
.
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera
.
2012 IEEE International Symposium on Mixed and Augmented Reality (ISMAR)
.
Conference:
2012 IEEE International Symposium on Mixed and Augmented Reality (ISMAR)
from:
05/11/2012
to:
08/11/2012
,
283
-
284
.
Heinrichs C, McPherson A
(
2012
)
.
A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling
.
Proceedings of the 9th Sound and Music Computing Conference Smc 2012
.
Menzies DWH, McPherson A
(
2012
)
.
An electronic bagpipe chanter for automatic recognition of highland piping ornamentation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
McPherson A
(
2012
)
.
Techniques and circuits for electromagnetic instrument actuation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Britt NC, Snyder J, McPherson A
(
2012
)
.
The emvibe: An electromagnetically actuated vibraphone
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Snyder J, McPherson A
(
2012
)
.
The jd-1: An implementation of a hybrid keyboard/sequencer controller for analog synthesizers
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
McPherson A
(
2012
)
.
Touchkeys: Capacitive multi-touch sensing on a physical keyboard
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
McPherson AP, Kim YE
(
2011
)
.
Multidimensional gesture sensing at the piano keyboard
.
Proceedings of the SIGCHI Conference on Human Factors in Computing Systems
.
Conference:
CHI '11: CHI Conference on Human Factors in Computing Systems2789
-
2798
.
McPherson A, Kim Y
(
2011
)
.
Design and applications of a multi-touch musical keyboard
.
Proceedings of the 8th Sound and Music Computing Conference Smc 2011
.
Dolhansky B, McPherson A, Kim YE
(
2011
)
.
Designing an expressive virtual percussion instrument
.
Proceedings of the 8th Sound and Music Computing Conference Smc 2011
.
McPherson A
(
2010
)
.
The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano
.
Journal of New Music Research
vol.
39
,
(
3
)
189
-
202
.
McPherson A, Kim Y
(
2010
)
.
Toward a computationally-enhanced acoustic grand piano
.
CHI '10 Extended Abstracts on Human Factors in Computing Systems
.
Conference:
CHI '10: CHI Conference on Human Factors in Computing Systems4141
-
4146
.
McPherson A, Kim Y
(
2010
)
.
Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
217
-
222
.
.
A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling
.
Proceedings of the 9th Sound and Music Computing Conference (SMC)
.
Conference:
9th Sound and Music Computing Conference
(
Copenhagen
)
from:
11/07/2012
to:
14/07/2012
,
277
-
283
.
.
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors
.
NIME 2022
.
Conference:
NIME 2022
.
Building an IDE for an embedded system using web technologies
.
Conference:
Web Audio Conference
.
DMI Apprenticeship: Sharing and Replicating Musical Artefacts
.
NIME 2021
.
Conference:
NIME 2021
.
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience
.
NIME 2022
.
Conference:
NIME 2022
Pelinski T, Shepardson V, Symons S, Caspe FS, Benito Temprano AL, Armitage J, Kiefer C, Fiebrink R et al.
.
Embedded AI for NIME: Challenges and Opportunities
.
NIME 2022
.
Conference:
NIME 2022
.
Exploring Experiences with New Musical Instruments through Micro-phenomenology
.
NIME 2022
.
Conference:
NIME 2022
.
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design
.
NIME 2021
.
Conference:
NIME 2021
.
Quantitative evaluation of aspects of embodiment in new digital musical instruments
.
NIME 2022
.
Conference:
NIME 2022
.
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera
.
2012 IEEE International Symposium on Mixed and Augmented Reality (ISMAR)
.
Conference:
International Symposium on Mixed and Augmented Reality
(
Atlanta
)
from:
05/11/2012
to:
08/11/2012
,
283
-
284
.
.
The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation
.
NIME 2022
.
Conference:
NIME 2022
.
The M in NIME: Motivic analysis and the case for a musicology of NIME performances
.
NIME 2022
.
Conference:
NIME 2022
.
The Stenophone: Live coding on a chorded keyboard with continuous control
.
Conference:
International Conference on Live Coding