Publications: PROF Andrew Mcpherson
Reed CN, Benito AL, Caspe F, McPherson AP
(
2024
)
.
Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus
.
ACM Transactions on Computer-Human Interaction
vol.
31
,
(
6
)
1
-
41
.
Shier J, Saitis C, Robertson A, McPherson A
(
2024
)
.
Real-time Timbre Remapping with Differentiable DSP
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
New Interfaces for Musical Expression
Morrison L, McPherson A
(
2024
)
.
Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions
.
Conference:
Proceedings of the CHI Conference on Human Factors in Computing Systems1
-
17
.
Robson N, McPherson A, Bryan-Kinns N
(
2024
)
.
Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation
.
Conference:
Proceedings of the CHI Conference on Human Factors in Computing Systems1
-
14
.
Reed CN, Pearce M, McPherson A
(
2024
)
.
Auditory imagery ability influences accuracy when singing with altered auditory feedback
.
Musicae Scientiae
Hayes B, Shier J, Fazekas G, McPherson A, Saitis C
(
2024
)
.
A review of differentiable digital signal processing for music and speech synthesis
.
Frontiers in Signal Processing
vol.
3
,
Mice L, McPherson AP
(
2023
)
.
Chaos Bells: Instrument Size and Entangled Music Performance
.
Contemporary Music Review
vol.
42
,
(
3
)
363
-
375
.
Martelloni A, Mcpherson AP, Barthet M
(
2023
)
.
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar
.
Conference:
24th International Society for Music Information Retrieval Conference
(
Milan, Italy
)
from:
09/11/2023
to:
05/11/2023
,
Caspe F, McPherson A, Sandler M
(
2023
)
.
FM Tone Transfer with Envelope Learning
.
Shier J, Caspe F, Robertson A, Sandler M, Saitis C, McPherson A
(
2023
)
.
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis
.
Shier J, Caspe F, Robertson A, Sandler M, Mcpherson A, Saitis C
(
2023
)
.
Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis
.
Conference:
10th Convention of the European Acoustics Association (Forum Acusticum)
from:
11/09/2023
to:
15/09/2023
,
Wolstanholme L, Mcpherson A
(
2023
)
.
Towards Orchestrating Physically Modelled 2D Percussion Instruments
.
Conference:
10th Convention of the European Acoustics Association (Forum Acusticum)
(
Turin, Italy
)
from:
11/09/2023
to:
15/09/2023
,
Hayes B, Shier J, Fazekas G, McPherson A, Saitis C
(
2023
)
.
A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis
.
Wolstanholme L, Vahidi C, Mcpherson A
(
2023
)
.
Hearing from Within a Sound: A Series of Techniques for Deconstructing and Spatialising Timbre
.
Conference:
International Conference on Spatial and Immersive Audio (AES)
(
University of Huddersfield
)
from:
23/08/2023
to:
25/08/2023
,
Caspe F, Mcpherson A, Sandler M
(
2023
)
.
FM Tone Transfer with Envelope Learning
.
Conference:
AudioMostly 2023
(
Edinburgh
)
from:
30/08/2023
to:
01/09/2023
,
Martelloni A, McPherson AP, Barthet M
(
2023
)
.
Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar
.
Nordmoen C, McPherson AP
(
2023
)
.
What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving
.
Conference:
Proceedings of the 2023 ACM Designing Interactive Systems Conference779
-
789
.
Zheng J, Mcpherson A, Bryan-Kinns N
(
2023
)
.
When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction
.
Conference:
Proceedings of the 2023 ACM Designing Interactive Systems Conference312
-
325
.
Pelinski Ramos T, Diaz Fernandez R, Benito Temprano AL, Mcpherson A
(
2023
)
.
Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform
.
Conference:
NIME 2023
(
Mexico City, Mexico
)
from:
31/05/2023
to:
02/06/2023
,
Zayas-Garin E, Nordmoen C, Mcpherson A
(
2023
)
.
Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers
.
Conference:
New Interfaces for Musical Expression 2023
(
Mexico City
)
from:
31/05/2023
to:
03/06/2023
,
Clayton M, Wang L, Mcpherson A, Cavallaro A
(
2023
)
.
An embedded multichannel sound acquisition system for drone audition
.
IEEE Sensors Journal
Pelinski Ramos T, Caspe F, Mcpherson A, Sandler M
(
2023
)
.
Computing ecosystems: neural networks and embedded hardware platforms
.
Conference:
CHI 2023
(
Hamburg, Germany
)
from:
23/05/2023
to:
28/05/2023
,
Reed CN, Strohmeier P, McPherson AP
(
2023
)
.
Negotiating Experience and Communicating Information Through Abstract Metaphor
.
Conference:
Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems1
-
16
.
Reed CN, McPherson AP
(
2023
)
.
The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback
.
Conference:
Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction1
-
15
.
Caspe F, Mcpherson A, Sandler M
(
2022
)
.
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds
.
Conference:
23rd International Society for Music Information Retrieval Conference (ISMIR 2022)
(
Bengaluru, India
)
from:
04/12/2022
to:
08/12/2022
,
Pigrem J, Mcpherson A, Bryan-Kinns N, Jack R
(
2022
)
.
Sound -> Object -> Gesture: Physical Affordances of Virtual Materials
.
Conference:
AudioMostly 202259
-
66
.
Caspe F, McPherson A, Sandler M
(
2022
)
.
DDX7: Differentiable FM Synthesis of Musical Instrument Sounds
.
Lepri G, Mcpherson A, Bowers J
(
2022
)
.
Useless, not Worthless: Absurd Making as Critical Practice
.
Conference:
ACM conference on Designing Interactive Systems
Robson N, McPherson A, Bryan-Kinns N
(
2022
)
.
Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors
.
Conference:
NIME 2022
Zayas-Garin E, McPherson A
.
Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience
.
Conference:
NIME 2022
Pelinski T, Shepardson V, Symons S, Caspe FS, Benito Temprano AL, Armitage J, Kiefer C, Fiebrink R et al.
.
Embedded AI for NIME: Challenges and Opportunities
.
Conference:
NIME 2022
Guidi A, McPherson A
.
Quantitative evaluation of aspects of embodiment in new digital musical instruments
.
Conference:
NIME 2022
Lepri G, Bowers J, Topley S, Stapleton P, Bennett P, Andersen K, McPherson A
.
The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation
.
Conference:
NIME 2022
Mice L, Mcpherson A
(
2022
)
.
The M in NIME: Motivic analysis and the case for a musicology of NIME performances
.
Conference:
International Conference on New Interfaces for Musical Expression
(
Auckland, New Zealand
)
from:
28/06/2022
to:
01/07/2022
,
Reed CN, Nordmoen C, Martelloni A, Lepri G, Robson N, Zayas-Garin E, Cotton K, Mice L et al.
(
2022
)
.
Exploring Experiences with New Musical Instruments through Microphenomenology
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
International Conference on New Interfaces for Musical Expression
Nordmoen C, McPherson AP
(
2022
)
.
Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system
.
Conference:
Designing Interactive Systems Conference415
-
423
.
Zheng J, Bryan-Kinns N, McPherson AP
(
2022
)
.
Material Matters: Exploring Materiality in Digital Musical Instruments Design
.
Conference:
Designing Interactive Systems Conference976
-
986
.
Mice L, McPherson AP
(
2022
)
.
Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design
.
Conference:
CHI Conference on Human Factors in Computing Systems1
-
15
.
Reed CN, Skach S, Strohmeier P, McPherson AP
(
2022
)
.
Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances
.
Conference:
Augmented Humans 2022170
-
183
.
Robson N, Bryan-Kinns N, Mcpherson A
(
2022
)
.
On mediating space, sound and experience: interviews with situated sound art practitioners
.
Organised Sound: an international journal of music and technology
vol.
28
,
(
1
)
Benito Temprano A, Mcpherson AP
(
2021
)
.
A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar
.
Conference:
Audio Mostly 2021 (AM'21). Sonic experiences in the era of the Internet of Sounds
(
University of Trento (Italy) [Online]
)
from:
01/09/2021
to:
03/09/2021
,
Lepri G, McPherson A
(
2021
)
.
Embrace the Weirdness: Negotiating Values Inscribed into Music Technology
.
Computer Music Journal
vol.
45
,
(
3
)
39
-
57
.
Zayas-Garin L, Harrison J, Jack R, McPherson A
.
DMI Apprenticeship: Sharing and Replicating Musical Artefacts
.
Conference:
NIME 2021
Martelloni A, McPherson A, Barthet M
.
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design
.
Conference:
NIME 2021
Mice L, Mcpherson A
(
2021
)
.
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments
.
Perception, Representations, Image, Sound, Music 14th International Symposium, CMMR 2019, Marseille, France, October 14–18, 2019, Revised Selected Papers
,
vol.
12631
,
Springer
(
Marseille, France
),
Reed CN, McPherson AP
(
2021
)
.
Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists
.
Conference:
Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction1
-
11
.
Clayton M, Wang L, McPherson A, Cavallaro A
(
2021
)
.
An embedded multichannel sound acquisition system for drone audition
.
Moro G, McPherson AP
(
2020
)
.
Performer Experience on a Continuous Keyboard Instrument
.
Computer Music Journal
vol.
44
,
(
2-3
)
69
-
91
.
Mice L, Mcpherson A
(
2020
)
.
From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
International Conference on New Interfaces for Musical Expression
(
Birmingham UK
)
from:
25/07/2020
to:
21/07/2020
,
Moro G, Mcpherson A
(
2020
)
.
A platform for low-latency continuous keyboard sensing and sound generation
.
nime.org/archives
.
Conference:
International Conference on New Interfaces for Musical Expression
(
Royal Birmingham Conservatoire
)
from:
21/07/2020
to:
25/07/2020
,
Martelloni A, Mcpherson A, Barthet M
(
2020
)
.
Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study
.
Conference:
New Interfaces for Musical Expression (NIME)
(
Royal Birmingham Conservatoire
)
from:
22/07/2020
to:
25/07/2020
,
Lepri G, Mcpherson A, Nonnis A, Stapleton P, Andersen K, Mudd T, Bowers J, Bennett P et al.
(
2020
)
.
Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME
.
Conference:
New Interfaces for Musical Expression Workshop (NIME '20), Royal Birmingham Conservatoire, Birmingham, UK.
Lepri G, McPherson A, Bowers J
(
2020
)
.
Useless, not Worthless
.
Conference:
Proceedings of the 2020 ACM Designing Interactive Systems Conference1887
-
1899
.
Mcpherson A, Lepri G
(
2020
)
.
Beholden to Our Tools: Negotiating with Technology while Sketching Digital Instruments
.
Conference:
New Interfaces For Musical Expression
Morreale F, Bin SMA, McPherson AP, Stapleton P, Wanderley MM
(
2020
)
.
A nime of the times: Developing an outward-looking political agenda for this community
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
160
-
165
.
Jack RH, Harrison J, McPherson AP
(
2020
)
.
Digital musical instruments as research products
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
446
-
451
.
Avila JM, Tsaknaki V, Karpashevich P, Windlin C, Valenti N, Höök K, McPherson A, Benford S
(
2020
)
.
Soma design for nime
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
489
-
494
.
Mice L, Mcpherson AP
(
2019
)
.
Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments
.
14th International Symposium on Computer Music Multidisciplinary Research
.
Conference:
Computer Music Multidisciplinary Research
(
Marseille, France
)
from:
14/10/2019
to:
18/10/2019
,
Armitage J, McPherson A
(
2019
)
.
Bricolage in a hybrid digital lutherie context
.
Conference:
Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound82
-
89
.
Armitage J, Mcpherson A
(
2019
)
.
Bricolage in a hybrid digital lutherie context: a workshop study
.
Conference:
Audio Mostly
(
University of Nottingham
)
from:
17/09/2019
to:
20/09/2019
,
McPherson A
(
2019
)
.
Augmenting Musical Performance
.
The Cambridge Companion to Music in Digital Culture
,
Cambridge University Press (CUP)
LEPRI G, MCPHERSON A
(
2019
)
.
Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes
.
Conference:
New Interfaces for Musical Expression
LEPRI G, MCPHERSON A
(
2019
)
.
Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice
.
Conference:
Designing Interactive Systems
(
San Diego California USA
)
Harrison J, Chamberlain A, McPherson AP
(
2019
)
.
Accessible Instruments in the Wild
.
Conference:
Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems1
-
6
.
Hazzard A, Greenhalgh C, Kallionpaa M, Benford S, Veinberg A, Kanga Z, McPherson A
(
2019
)
.
Failing with Style
.
Conference:
Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems1
-
14
.
Pardue LS, McPherson A
(
2019
)
.
Real-Time Aural and Visual Feedback for Improving Violin Intonation
.
Front Psychol
vol.
10
,
627
-
627
.
McPherson A, Benford S
(
2019
)
.
Music, Design and Ethnography: An Interview with Steve Benford
.
New Directions in Music and Human-Computer Interaction
,
Springer Nature
McPherson A, Verplank B
(
2019
)
.
The Poetry of Strange Connections: An Interview with Bill Verplank
.
New Directions in Music and Human-Computer Interaction
,
Springer Nature
Holland S, Mudd T, Wilkie-McKenna K, McPherson A, Wanderley MM
(
2019
)
.
Understanding Music Interaction, and Why It Matters
.
New Directions in Music and Human-Computer Interaction
,
Springer Nature
MCPHERSON A, MORREALE F, HARRISON J
(
2019
)
.
Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches
.
New Directions in Music and Human-Computer Interaction
,
Springer
Turchet L, McPherson A, Fischione C
(
2019
)
.
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences
.
Smc 2016 13th Sound and Music Computing Conference Proceedings
.
498
-
505
.
MORREALE F, ARMITAGE J, MCPHERSON A
(
2018
)
.
Effect of Instrument Structure Alterations on Violin Performance
.
Frontiers in Psychology
ZAPPI V, MCPHERSON A
(
2018
)
.
Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction
.
Frontiers in ICT
vol.
5
,
(
26
)
JACK RH, MEHRABI A, Stockman T, MCPHERSON A
(
2018
)
.
Action-sound Latency and the Perceived Quality of Digital Musical Instruments: Comparing Professional Percussionists and Amateur Musicians
.
Music Perception
Turchet L, McPherson A, Barthet M
(
2018
)
.
Real-Time Hit Classification in a Smart Cajón
.
Frontiers in ICT
vol.
5
,
BUYS K, MCPHERSON A
(
2018
)
.
Real-time bowed string feature extraction for performance applications
.
https://zenodo.org/record/1422597
.
Conference:
Sound and Music Computing
(
Cyprus
)
from:
04/03/2018
to:
07/03/2018
,
ARMITAGE JDK, MCPHERSON A
(
2018
)
.
Crafting Digital Musical Instruments: An Exploratory Workshop Study
.
Conference:
New Interfaces for Musical Expression
BIN SMA, BRYAN-KINNS N, MCPHERSON AP
(
2018
)
.
Risky business: Disfluency as a design strategy
.
Conference:
New Interfaces for Musical Expression
(
Blacksburg, VA, USA
)
from:
03/06/2018
to:
07/06/2018
,
Turchet L, McPherson A, Barthet M
(
2018
)
.
Co-design of a smart Cajón
.
AES: Journal of the Audio Engineering Society
vol.
66
,
(
4
)
220
-
230
.
Jack RH, Harrison J, Morreale F, McPherson A
(
2018
)
.
Democratising DMIs: The relationship of expertise and control intimacy
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
134
-
139
.
Pigrem J, McPherson A
(
2018
)
.
Do we speak sensor? Cultural constraints of embodied interaction
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
382
-
385
.
Pardue LS, McPherson A, Overholt D
(
2018
)
.
Improving the instrumental learning experience through complexity management
.
Proceedings of the 15th Sound and Music Computing Conference Sonic Crossings Smc 2018
.
150
-
157
.
Harrison J, Jack RH, Morreale F, McPherson A
(
2018
)
.
When is a guitar not a guitar? Cultural form, input modality and expertise
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
299
-
304
.
MORO G, MCPHERSON A, SANDLER M
(
2017
)
.
Dynamic temporal behaviour of the keyboard action on the Hammond organ and its perceptual significance
.
Journal of the Acoustical Society of America
Bin SMA, Bryan-Kinns N, McPherson A
(
2017
)
.
Hands where we can see them! Investigating the impact of gesture size on audience perception
.
Conference:
International Computer Music Conference
(
Shanghai, China
)
from:
16/10/2017
to:
20/10/2017
,
BIN SMA, MORREALE F, BRYAN-KINNS N, MCPHERSON A
(
2017
)
.
In-the-moment and beyond: Combining post-hoc and real time data for the study of audience perception of electronic music performance
.
Conference:
ACM Interact 2017
(
Mumbai, India
)
from:
25/09/2017
to:
29/09/2017
,
HARRISON JTF, McPherson AP
(
2017
)
.
Adapting the Bass Guitar for One-Handed Playing
.
Journal of New Music Research
vol.
46
,
(
3
)
270
-
285
.
Jack RH, Stockman T, McPherson A
(
2017
)
.
Rich gesture, reduced control
.
Conference:
Proceedings of the 4th International Conference on Movement Computing1
-
8
.
MCPHERSON A, ARMITAGE JDK, BIN SMA, MORREALE F, JACK R
(
2017
)
.
NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie
.
Conference:
New Interfaces for Musical Expression
Armitage J, Morreale F, McPherson A
(
2017
)
.
"The finer the musician, the smaller the details": NIMEcraft under the microscope
.
http://www.nime.org/archives/
.
Conference:
New Instruments for Musical Expression 2017
(
Copenhagen, Denmark
)
from:
14/05/2017
to:
19/05/2017
,
Morreale F, Moro G, Chamberlain A, Benford S, MCPHERSON A
(
2017
)
.
Building a Maker Community Around an Open Hardware Platform
.
Conference:
ACM SIGCHI Conference on Human Factors in Computing Systems (CHI)
(
Denver, CO, USA
)
from:
06/05/2017
to:
11/05/2017
,
MORREALE F, Masu, R, MCPHERSON
(
2017
)
.
Constraining Control in Mixed-Initiative Musical Interfaces
.
Conference:
MICI 2017: CHI Workshop on Mixed-Initiative Creative Interfaces
McPherson A
(
2017
)
.
Bela: An embedded platform for low-latency feedback control of sound
.
The Journal of the Acoustical Society of America
vol.
141
,
(
5
)
3618
-
3618
.
Donovan L, McPherson A
(
2017
)
.
Traveling wave control of stringed musical instruments
.
The Journal of the Acoustical Society of America
vol.
141
,
(
5
)
3619
-
3619
.
Jack RH, Stockman T, McPherson A
(
2017
)
.
Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments
.
Conference:
Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction717
-
720
.
McPherson A
(
2017
)
.
2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard
.
A NIME Reader
,
vol.
3
,
Springer Nature
Harrison J, McPherson A
(
2017
)
.
An adapted bass guitar for one-handed playing
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
507
-
508
.
Liang B, Fazekas G, McPherson A, Sandler M
(
2017
)
.
Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling Techniques
.
Proc. of the International Conference on New Interfaces for Musical Expression (NIME), May 15-18, Copenhagen, Denmark
.
325
-
329
.
LIANG B, fazekas G, mcpherson A, sandler M
(
2016
)
.
Classification of Piano Pedaling Techniques Using Gesture Data from a Non-Intrusive Measurement System
.
DMRN+11: Digital Music Research Network Workshop Proceedings 2016
.
Conference:
DMRN+11: Digital Music Research Network One-day Workshop 2016
(
Centre for Digital Music, Queen Mary University of London
)
from:
20/12/2016
to:
20/12/2016
,
Jack RH, Stockman T, McPherson A
(
2016
)
.
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument
.
Conference:
Proceedings of the Audio Mostly 2016116
-
123
.
McPherson AP, Jack RH, Moro G
(
2016
)
.
Action-Sound Latency: Are Our Tools Fast Enough?
.
Conference:
Proceedings of the International Conference on New Interfaces for Musical Expression, Brisbane, Queensland, Australia, July 11-15, 2016
(
Griffith University, South Bank, Brisbane, Queensland, Australia
)
from:
11/07/2016
to:
15/07/2016
,
BIN SMA, MCPHERSON AP, BRYAN-KINNS N
(
2016
)
.
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response
.
Conference:
New Interfaces for Musical Expression
(
Brisbane, Australia
)
from:
11/07/2016
to:
15/07/2016
,
vol.
16
,
200
-
205
.
MORO G, Bin A, Jack RH, Heinrichs C, McPherson AP
(
2016
)
.
Making High-Performance Embedded Instruments with Bela and Pure Data
.
Conference:
International Conference on Live Interfaces
(
University of Sussex
)
from:
29/06/2016
to:
03/07/2016
,
MCPHERSON A, Chamberlain A, Hazzard A, McGrath S, Benford S
(
2016
)
.
Designing for Exploratory Play with a Hackable Digital Musical Instrument
.
Conference:
ACM Conference on Designing Interactive Systems
(
Brisbane, Australia
)
Sulyok C, MCPHERSON A, Harte C
(
2016
)
.
Evolving the process of a virtual composer
.
Natural Computing
Holland S, McPherson AP, Mackay WE, Wanderley MM, Gurevich MD, Mudd TW, O'Modhrain S, Wilkie KL et al.
(
2016
)
.
Music and HCI
.
Conference:
Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems3339
-
3346
.
Jack R, Stockman T, McPherson A
(
2016
)
.
Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback
.
Conference:
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction3
-
11
.
Heinrichs C, McPherson A
(
2016
)
.
Performance-Led Design of Computationally Generated Audio for Interactive Applications
.
Conference:
Proceedings of the TEI '16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction697
-
700
.
Pardue LS, Harte C, MCPHERSON A
(
2015
)
.
A Low-Cost Real-Time Tracking System for Violin
.
Journal of New Music Research1
-
19
.
Sulyok C, McPherson A, Harte C
.
Corpus-taught Evolutionary Music Composition
.
Conference:
07/20/2015-07/24/2015587
-
594
.
MacRitchie J, MCPHERSON A
(
2015
)
.
Integrating optical finger motion tracking with surface touch events
.
Frontiers in Psychology
vol.
6
,
(
702
)
McPherson A
(
2015
)
.
Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments
.
Computer Music Journal
vol.
39
,
(
2
)
28
-
46
.
Donovan L, MCPHERSON A
(
2015
)
.
Active control of a string instrument bridge using the Posicast technique
.
Conference:
138th Audio Engineering Society Convention
(
Warsaw, Poland
)
MCPHERSON A, Zappi V
(
2015
)
.
An environment for submillisecond-latency audio and sensor processing on BeagleBone Black
.
Conference:
138th Audio Engineering Society Convention
(
Warsaw, Poland
)
Zappi V, MCPHERSON A
(
2015
)
.
Exposing the scaffolding of digital instruments with hardware-software feedback loops
.
Conference:
New Interfaces for Musical Expression
(
Baton Rouge, USA
)
Menzies DWH, MCPHERSON A
(
2015
)
.
Highland piping ornament recognition using Dynamic Time Warping
.
Conference:
New Interfaces for Musical Expression
(
Baton Rouge, USA
)
Jack RH, MCPHERSON A, Stockman T
(
2015
)
.
The design of tactile musical devices for the deaf
.
Conference:
International Conference on the Multimodal Experience of Music
(
Sheffield, UK
)
Reiss JD, McPherson A
(
2014
)
.
Audio Effects: Theory, Implementation and Application
.
CRC Press
Zappi V, MCPHERSON A
(
2014
)
.
Design and use of a hackable digital instrument
.
Conference:
International Conference on Live Interfaces
(
Lisbon, Portugal
)
Zappi V, MCPHERSON A
(
2014
)
.
Dimensionality and appropriation in digital musical instrument design
.
Conference:
New Interfaces for Musical Expression
(
London, UK
)
Heinrichs C, MCPHERSON A, Farnell A
(
2014
)
.
Human Performance of Computational Sound Models for Immersive Environments
.
The New Soundtrack
vol.
4
,
(
2
)
139
-
155
.
Topliss JW, Zappi V, MCPHERSON A
(
2014
)
.
Latency Performance for Real-Time Audio on BeagleBone Black
.
Conference:
Linux Audio Conference
(
Karlsruhe, Germany
)
Pardue L, Nian D, Harte C, MCPHERSON A
(
2014
)
.
Low-latency audio pitch tracking: a multi-modal sensor-assisted approach
.
Conference:
New Interfaces for Musical Expression
Heinrichs C, MCPHERSON A
(
2014
)
.
Mapping and interaction strategies for performing environmental sound
.
Conference:
IEEE VR Workshop on Sonic Interaction in Virtual Environments (SIVE)25
-
30
.
Sokolovskis J, MCPHERSON A
(
2014
)
.
Optical measurement of acoustic drum strike locations
.
Conference:
New Interfaces for Musical Expression
(
London, UK
)
Gábana Arellano D, MCPHERSON A
(
2014
)
.
Radear: a tangible spinning music sequencer
.
Conference:
New Interfaces for Musical Expression
(
London, UK
)
MCPHERSON A, Donovan L
(
2014
)
.
The talking guitar: headstock tracking and mapping strategies
.
Conference:
New Interfaces for Musical Expression
(
London, UK
)
Vetter L, Terrell MJ, Simpson AJR, McPherson A
(
2013
)
.
Estimation of overdrive in music signals
.
134th Audio Engineering Society Convention 2013
.
846
-
851
.
HEDGES TW, MCPHERSON A
(
2013
)
.
3D Gestural Interaction with Harmonic Pitch Space
.
Conference:
Proceedings of the 10th Sound and Music Computing Conference (SMC)
(
Stockholm
)
103
-
108
.
MENZIES DWH, MCPHERSON A
(
2013
)
.
A Digital Bagpipe Chanter System to Assist in One-to-One Piping Tuition
.
Conference:
Proceedings of the Stockholm Music Acoustics Conference
(
Stockholm
)
440
-
445
.
MCPHERSON A, Pardue L
(
2013
)
.
Near-field optical reflectance sensing for violin bow tracking
.
Conference:
New Interfaces for Musical Expression
(
Seoul, South Korea
)
MCPHERSON A
(
2013
)
.
Portable measurement and mapping of continuous piano gesture
.
Conference:
New Interfaces for Musical Expression
(
Seoul, South Korea
)
MCPHERSON A, Gierakowski A, Stark A
(
2013
)
.
The space between the notes: adding expressive pitch control to the piano keyboard
.
Conference:
ACM Conference on Human Factors in Computing Systems (CHI)
(
Paris, France
)
Heinrichs C, McPherson A
(
2012
)
.
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera
.
Ismar 2012 11th IEEE International Symposium on Mixed and Augmented Reality 2012 Science and Technology Papers
.
283
-
284
.
MCPHERSON A, Kim YE
(
2012
)
.
The problem of the second performer: building a community around an augmented piano
.
Computer Music Journal
vol.
36
,
(
4
)
10
-
27
.
MCPHERSON A, Kim Y
(
2011
)
.
Design and applications of a multi-touch musical keyboard
.
Conference:
8th Sound and Music Computing Conference
(
Padova, Italy
)
from:
06/07/2011
to:
09/07/2011
,
Dolhansky B, MCPHERSON A, Kim Y
(
2011
)
.
Designing an expressive virtual percussion instrument
.
Conference:
8th Sound and Music Computing Conference
(
Padova, Italy
)
from:
06/07/2011
to:
09/07/2011
,
MCPHERSON A, Kim Y
(
2011
)
.
Multidimensional gesture sensing at the piano keyboard
.
Conference:
ACM CHI Conference on Human Factors in Computing Systems
(
Vancouver, Canada
)
from:
07/05/2011
to:
12/05/2011
,
2789
-
2798
.
MCPHERSON A, Kim Y
(
2010
)
.
Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing
.
Conference:
International Conference on New Interfaces for Musical Expression
(
Sydney, Australia
)
from:
15/06/2010
to:
18/06/2010
,
217
-
222
.
MCPHERSON A
(
2010
)
.
The magnetic resonator piano: electronic augmentation of an acoustic grand piano
.
Journal of New Music Research
vol.
39
,
(
3
)
189
-
202
.
MCPHERSON A, Kim Y
(
2010
)
.
Toward a computationally-enhanced acoustic grand piano
.
Conference:
ACM CHI Conference on Human Factors in Computing Systems (Extended Abstracts)
(
Atlanta, USA
)
from:
10/04/2010
to:
15/04/2010
,
4141
-
4146
.
HEINRICHS C, McPherson A
.
A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling
.
Proceedings of the 9th Sound and Music Computing Conference (SMC)
.
Conference:
9th Sound and Music Computing Conference
(
Copenhagen
)
from:
11/07/2012
to:
14/07/2012
,
277
-
283
.
moro G, mcpherson A
.
APPROXIMATING NON-LINEAR INDUCTORS USING TIME-VARIANT LINEAR FILTERS
.
Conference:
18th International Conference on Digital Audio Effects
Menzies DWH, MCPHERSON A
.
An electronic bagpipe chanter for automatic recognition of Highland piping ornamentation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
New Interfaces for Musical Expression
(
Ann Arbor, MI, USA
)
from:
21/05/2012
to:
23/05/2012
,
DONOVAN L, BIN SMA, ARMITAGE JDK, MCPHERSON A
.
Building an IDE for an embedded system using web technologies
.
Conference:
Web Audio Conference
MORREALE F, MCPHERSON
.
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14
.
Conference:
NIME
Guidi A, Morreale F, Mcpherson A
.
Design for auditory imagery: altering instruments to explore performer fluency
.
Conference:
NIME
from:
21/07/2020
to:
25/07/2020
,
Mcpherson A, Tahiroglu K
.
Idiomatic Patterns and Aesthetic Influence in Computer Music Languages
.
Organised Sound: an international journal of music and technology
MORREALE F, GUIDI A, MCPHERSON ANDREW
.
Magpick: an Augmented Guitar Pick for Nuanced Control
.
Conference:
New Interfaces for Musical Expression
NORDMOEN C, ARMITAGE J, MORREALE F, STEWART R, MCPHERSON A
.
Making Sense of Sensors: Discovery Through Craft
Practice With an Open-Ended Sensor Material
.
Conference:
Designing Interactive Systems Conference 2019
(
San Deigo, California, USA
)
from:
23/06/2019
to:
28/06/2019
,
LEPRI G, MCPHERSON A
.
Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology
.
Conference:
New Interfaces for Musical Expression
(
Blacksburg, VA
)
from:
03/06/2018
to:
06/06/2018
,
MORREALE F, MCPHERSON A, WANDERLEY M
.
NIME Identity from the Performer’s Perspective
.
Conference:
New Interfaces for Musical Expreesion
MCPHERSON A, Kim YE, Holland S, Wilkie K, Mulholland P, Seago A
.
Piano technique as a case study in expressive gestural interaction
.
Music and Human-Computer Interaction
,
Springer
Shier J, Saitis C, Robertson A, Mcpherson A
.
Real-time Timbre Remapping with Differentiable DSP
.
Conference:
New Interfaces for Musical Expression
from:
02/09/2024
to:
06/09/2024
,
Burdiel E, Vetter L, Simpson A, Terrell M, MCPHERSON A, Sandler M
.
Real-time implementation of Glasberg & Moore’s loudness model for time-varying sounds
.
Proceedings of the 133rd AES Convention
.
Conference:
133rd Audio Engineering Society Convention
(
San Francisco, CA, USA
)
from:
26/10/2012
to:
29/10/2012
,
HEINRICHS C, McPherson A
.
Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera
.
2012 IEEE International Symposium on Mixed and Augmented Reality (ISMAR)
.
Conference:
International Symposium on Mixed and Augmented Reality
(
Atlanta
)
from:
05/11/2012
to:
08/11/2012
,
283
-
284
.
Dannemann T, Bryan-Kinns N, Mcpherson A
.
Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice
.
Conference:
New Interfaces for Musical Expression, 2023
(
Mexico City, Mexico
)
from:
03/06/2023
to:
31/05/2023
,
PARDUE L, BUYS K, Edinger M, Overholt D, MCPHERSON ANDREW
.
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation
.
Conference:
New Interfaces for Musical Expression
Bin SA, Bryan-Kinns N, MCPHERSON A
.
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response
.
Conference:
New Interfaces for Musical Expression
(
Brisbane, Australia
)
from:
11/07/2016
to:
15/07/2016
,
Reed C, Mcpherson A
.
Surface Electromyography for Direct Vocal Control
.
Conference:
International Conference on New Interfaces for Musical Expression (NIME)
(
Royal Birmingham Conservatoire, Birmingham, United Kingdom
)
from:
21/07/2020
to:
25/07/2020
,
MCPHERSON A
.
Techniques and circuits for electromagnetic instrument actuation
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
New Interfaces for Musical Expression
(
Ann Arbor, MI, USA
)
from:
21/05/2012
to:
23/05/2012
,
Britt NC, Snyder J, MCPHERSON A
.
The EMvibe: an electromagnetically actuated vibraphone
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
New Interfaces for Musical Expression
(
Ann Arbor, MI, USA
)
from:
21/05/2012
to:
23/05/2012
,
Snyder J, MCPHERSON A
.
The JD-1: an implementation of a hybrid keyboard/sequencer controller for analog synthesizers
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
12th International Conference on New Interfaces for Musical Expression
(
Ann Arbor, MI, USA
)
from:
21/05/2012
to:
23/05/2012
,
ARMITAGE JDK, MCPHERSON A
.
The Stenophone: Live coding on a chorded keyboard with continuous control
.
Conference:
International Conference on Live Coding
MCPHERSON A
.
TouchKeys: capacitive multi-touch sensing on a physical keyboard
.
Proceedings of the International Conference on New Interfaces for Musical Expression
.
Conference:
New Interfaces for Musical Expression
(
Ann Arbor, MI, USA
)
from:
21/05/2012
to:
23/05/2012
,