Publications: P Jeremy Hicks

Hicks J ( 2025 ) . Oksana Sarkisova and Olga Shevchenko. <i>In Visible Presence: Soviet Afterlives in Family Photos</i>. Cambridge, Mass: MIT Press, 2023. xxv, 461 pp. Appendix. Notes. Index. Photographs. $49.95, hard bound . Slavic Review vol. 83 , ( 4 ) 887 - 888 .

Hicks J ( 2025 ) . POLITICS AND SOCIAL ENGAGEMENT IN RECENT RUSSIAN DOCUMENTARY FILM . New Russian Documentary Reclaiming Reality in the Age of Authoritarianism Contemporary Russian Documentary ,

Hicks J, Machulin L ( 2024 ) . Special joint issue of\n <i>Studies in Russian and Soviet Cinema</i>\n and\n <i>Culture of Ukraine (Kul’tura Ukrainy)</i> . vol. 18 , is. 3 , pp. 251 - 262 . Informa UK Limited

Hicks J ( 2024 ) . The place of Ukraine in Mark Donskoi’s\n <i>The Rainbow</i> . Studies in Russian and Soviet Cinema vol. 18 , ( 3 ) 309 - 326 .

Hicks J ( 2024 ) . <i>Transnational Russian Studies</i>. Ed. by Andy Byford, Connor Doak and Stephen Hutchings . vol. 60 , is. 1 , pp. 149 - 150 . Oxford University Press (OUP)

Hicks J, Machulin L ( 2024 ) . Special joint issue of Studies in Russian and Soviet Cinema and Culture of Ukraine (Kul’tura Ukrainy) . Studies in Russian and Soviet Cinema vol. 18 , ( 3 ) 251 - 262 .

Hicks J ( 2023 ) . Esfir Shub: Pioneer of Documentary Filmmaking . vol. 43 , is. 2 , pp. 624 - 626 . Informa UK Limited

Hicks J ( 2023 ) . Documentary Film and the Volga Famine: Save the Children Fund’S\n <i>Famine</i>\n (1922) . Historical Journal of Film, Radio and Television vol. 43 , ( 3 ) 645 - 667 .

Hicks J ( 2022 ) . Saving the Children: Humanitarianism, Internationalism, and Empire . vol. 42 , is. 4 , pp. 851 - 852 . Informa UK Limited

Hicks J ( 2020 ) . Victory Banner Over the Reichstag Film, Document, and Ritual in Russia's Contested Memory of World War II . Russian and East European Stud

Hicks J ( 2019 ) . Was the Left’s Thunder Stolen? Soviet Short Films on British Wartime Screens . Connexe : les espaces postcommunistes en question(s) vol. 3 , 113 - 131 .

HICKS JG ( 2019 ) . ‘Paradise,’ (Andrei Konchalovsky) . The Russian Cinema Reader: Contemporary Russian Cinema (2005-2016) , Academic Studies Press, forthcoming 2019 ( Brighton: MA ),

Hicks J ( 2019 ) . Austerlitz. Dir. Sergei Loznitsa. Germany, Imperativ Film, 2016. 94 min. Black and white. In German . Slavic Review vol. 77 , ( 4 ) 1048 - 1049 .

HICKS JG ( 2019 ) . Aid, Appropriation and Amnesia: Documentary Film and The Arctic Convoys of World War Two . Arctic Cinema and the Documentary Ethos , University of Indiana Press ( Bloomington ),

Hicks J ( 2019 ) . Sentimental Tales . RUSSIAN REVIEW vol. 78 , ( 4 ) 664 - 665 .

Hicks J ( 2019 ) . Soviet Journalists at Nuremberg: Establishing the Soviet War Narrative . Stalins Soviet Justice Show Trials War Crimes Trials and Nuremberg ,

HICKS JG ( 2018 ) . Kul´t lichnosti v fil´makh Mikhaila Romma . International Journal of Cultural Research (Mezhdunarodnyi zhurnal isledovanii kul´tury) vol. 2(3) , 83 - 91 .

HICKS JG ( 2018 ) . Bewegte und unbewegte Blicke der Toten: Aus der Warchauer Ghetto und Charkiv . Bildformeln: Visuelle Erinnerungskulturen in Osteuropa , transcript Verlag ( Bielefeld ),

Finney P ( 2017 ) . Remembering the Second World War . Routledge

Hicks J ( 2017 ) . Golos kak kul΄turnyi fenomen. By Oksana Bulgakova . Moscow: Novoe literaturnoe obozrenie, 2015. Ocherki vizual΄nosti. 568 pp. Appendix. Notes. Index. Paper . Slavic Review vol. 76 , ( 1 ) 267 - 268 .

Hicks J ( 2016 ) . Appropriating the presence of history: raising the Victory Banner over the Reichstag . Screen vol. 57 , ( 3 ) 362 - 370 .

Hicks J, Saxton L, Westwell G ( 2016 ) . Rising flags, falling soldiers: film, icons and political violence . Screen vol. 57 , ( 3 ) 336 - 342 .

Hicks J ( 2016 ) . Soiuzdetfilm . Wiley

Hicks J ( 2015 ) . Filming the end of the Holocaust: allied documentaries, Nuremberg and the liberation of the concentration camps . Historical Journal of Film, Radio and Television vol. 35 , ( 4 ) 682 - 684 .

( 2014 ) . Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 . Routledge

HICKS JG ( 2014 ) . Challenging the Voice-of-God in Soviet Documentaries of World War II . Sound/ Music/ Speech in Soviet and Post-Soviet Cinema , Indiana University Press ( Bloomington ),

( 2014 ) . The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe by Olga Gershenson (review) . Ab Imperio vol. 2014 , ( 3 ) 495 - 501 .

Hicks J ( 2013 ) . ‘Soul Destroyers’: Soviet Reporting of Nazi Genocide and its Perpetrators at the <scp>K</scp>rasnodar and <scp>K</scp>har′kov Trials . History vol. 98 , ( 332 ) 530 - 547 .

HICKS J ( 2013 ) . “Too gruesome to be fully taken in”: Konstantin Simonov's “The Extermination Camp” as Holocaust Literature . The Russian Review vol. 72 , ( 2 ) 242 - 259 .

Hicks J ( 2013 ) . Through Soviet Jewish Eyes: Photography, War, and the Holocaust by David Shneer (review) . Shofar: An Interdisciplinary Journal of Jewish Studies vol. 31 , ( 3 ) 176 - 178 .

Hicks J ( 2013 ) . Challenging the voice of god in world war II-Era Soviet documentaries . Sound Speech Music in Soviet and Post Soviet Cinema ,

Hicks J ( 2013 ) . Fighting Words and Images: Representing War across the Disciplines . RUSSIAN REVIEW vol. 72 , ( 1 ) 160 - 161 .

Hicks J ( 2012 ) . First films of the Holocaust: Soviet cinema and the genocide of the Jews, 1938-1946 .

HICKS JG ( 2012 ) . The Archipelago of Gulag Film . When the Elephant Broke Out of the Zoo: A Festschrift for Donald Rayfield , Stanford Slavic Studies ( Stanford ),

HICKS JG ( 2012 ) . «Les Morts ne mentent pas» : le cinéma soviétique, la Shoah et le procès de Nuremberg . Kinojudaica: l’image des Juifs dans le cinéma russe et soviétique des années 1910 aux années 1960 , Noveau monde ( Paris ),

HICKS JG ( 2012 ) . ‘El juicio de los pueblos: los muertos nunca mienten,’ . Archivos de la filmoteca ( 70 ) 29 - 42 .

HICKS JG ( 2011 ) . Sokurov’s Documentaries . The Cinema of Alexander Sokurov , IB Tauris ( London and New York ),

HICKS J ( 2011 ) . From Atrocity to Action: How Soviet Cinema Initiated the Holocaust Film . Justice, Politics, and Memory in Europe after the Second World War: Landscapes After Battle , vol. Vol. 2 , Vallentine Mitchell ( Edgware ),

HICKS JG ( 2009 ) . Confronting the Holocaust: Mark Donskoi’s The Unvanquished . Studies in Russian and Soviet Cinema vol. 3 , ( 1 ) 33 - 51 .

Bohlinger V, Sharp I, Taylor R, Sarkisova O, Kepley V, Hicks J, Chernetsky V, Prokhorov A et al. ( 2009 ) . Reviews . Studies in Russian and Soviet Cinema vol. 3 , ( 3 ) 353 - 385 .

Hicks J ( 2009 ) . Revue (Predstavleniye) (2008) (review) . Film &amp; History: An Interdisciplinary Journal of Film and Television Studies vol. 39 , ( 2 ) 63 - 65 .

Hicks J ( 2009 ) . Confronting the Holocaust: Mark Donskoi's<i>The Unvanquished</i> . Studies in Russian and Soviet Cinema vol. 3 , ( 1 ) 33 - 51 .

Hicks J ( 2009 ) . The Vertov Collection at the Austrian Film Museum . vol. 87 , is. 1 , pp. 119 - 120 .

Graffy J ( 2008 ) . A hundred years of Russian film: the forgotten and the under-rated . Studies in Russian and Soviet Cinema vol. 2 , ( 3 ) 327 - 354 .

Hicks J ( 2008 ) . Russian Studies: Russian Film Studies . The Year’s Work in Modern Language Studies vol. 70 , ( 1 ) 871 - 882 .

HICKS JG ( 2008 ) . Lost in Translation? Did Sound stop Soviet Films finding Foreign Audiences? . Russia and Its Other(s) on Film: Screening Intercultural Dialogue , Palgrave Macmillan

Heywood A, Morison J, O'Rourke S, Williams H, Neumann M, Hicks J, Baron N, Healey D ( 2007 ) . BOOK REVIEWS . Revolutionary Russia vol. 20 , ( 2 ) 225 - 241 .

HICKS J ( 2007 ) . Worker Correspondents: Between Journalism and Literature . The Russian Review vol. 66 , ( 4 ) 568 - 585 .

Prokhorova E, Prokhorov A, Hutchings S, Hartmann U, Hicks J, Graffy J, Norris SM ( 2007 ) . Book Reviews . Studies in Russian and Soviet Cinema vol. 1 , ( 3 ) 329 - 349 .

Hicks J ( 2007 ) . Dziga Vertov: Defining documentary film .

Hicks J ( 2006 ) . FROM CONDUITS TO COMMANDERS: SHIFTING VIEWS OF WORKER CORRESPONDENTS, 1924–26 . Revolutionary Russia vol. 19 , ( 2 ) 131 - 149 .

Hicks J ( 2005 ) . The international reception of early soviet sound cinema:<i>Chapaev</i>in Britain and America . Historical Journal of Film, Radio and Television vol. 25 , ( 2 ) 273 - 289 .

( 2004 ) . Russian and Soviet Film Adaptations of Literature, 1900-2001 . Routledge

Hicks J, Widdis E ( 2004 ) . Visions of a New Land: Soviet Film from the Revolution to the Second World War . vol. 99 , is. 4 , pp. 1127 - 1127 . JSTOR

Hicks J ( 2004 ) . Against the Grain: Parody, Satire, and Intertextuality in Russian Literature. Ed.Janet G. Tucker. Bloomington, Ind.: Slavica, 2002. iv, 224 pp. Notes. Bibliography. Index. $22.95, paper . vol. 63 , is. 3 , pp. 681 - 682 . Cambridge University Press (CUP)

HICKS JG ( 2004 ) . Educating Chapaev: From Document to Myth . Russian and Soviet Film Adaptations of Literature, 1900-2001 , Routledge Curzon ( London ),

Hicks J ( 2004 ) . Zoshchenko and the Ilf-Petrov partnership: How they laughed . vol. 82 , is. 4 , pp. 949 - 950 .

Hicks J ( 2003 ) . Vsevolod Pudovkin: Classic films of the Soviet avant-garde . MOD LANG REV vol. 98 , 1070 - 1071 .