Publications: PROF Jeremy Hicks

Hicks J ( 2025 ) . Oksana Sarkisova and Olga Shevchenko. In Visible Presence: Soviet Afterlives in Family Photos . Cambridge, Mass: MIT Press, 2023. xxv, 461 pp. Appendix. Notes. Index. Photographs. $49.95, hard bound . Slavic Review vol. 83 , ( 4 ) 887 - 888 .

Hicks J ( 2024 ) . POLITICS AND SOCIAL ENGAGEMENT IN RECENT RUSSIAN DOCUMENTARY FILM . Contemporary Russian Documentary: Negotiating the Personal and the Political , Edinburgh University Press ( Edinburgh ),

Hicks J, Machulin L ( 2024 ) . Introduction to Special issue of Studies in Russian and Soviet Cinema and Culture of Ukraine . Studies in Russian and Soviet Cinema

Hicks J, Machulin L ( 2024 ) . Special joint issue of Studies in Russian and Soviet Cinema and Culture of Ukraine (Kul’tura Ukrainy) . vol. 18 , is. 3 , pp. 251 - 262 . Taylor & Francis

Hicks J ( 2024 ) . The place of Ukraine in Mark Donskoi’s The Rainbow . Studies in Russian and Soviet Cinema vol. 18 , ( 3 ) 309 - 326 .

Hicks J ( 2024 ) . Transnational Russian Studies. Ed. by Andy Byford, Connor Doak and Stephen Hutchings . vol. 60 , is. 1 , pp. 149 - 150 . Oxford University Press (OUP)

Hicks J ( 2023 ) . Esfir Shub: Pioneer of Documentary Filmmaking . vol. 43 , is. 2 , pp. 624 - 626 . Taylor & Francis

Hicks J ( 2023 ) . Documentary Film and the Volga Famine: Save the Children Fund’S Famine (1922) . Historical Journal Of Film Radio and Television vol. 43 , ( 3 ) 645 - 667 .

Hicks J ( 2022 ) . Saving the Children: Humanitarianism, Internationalism, and Empire . vol. 42 , is. 4 , pp. 851 - 852 . Taylor & Francis

Hicks J ( 2020 ) . Victory Banner Over the Reichstag: Film, Document, and Ritual in Russia's Contested Memory of World War II . University of Pittsburgh Press ( Pittsburgh, PA ),

Hicks J ( 2019 ) . Was the Left’s Thunder Stolen? Soviet Short Films on British Wartime Screens . vol. 3 , 113 - 131 .

HICKS JG, Salys R ( 2019 ) . ‘Paradise,’ (Andrei Konchalovsky) . The Russian Cinema Reader: Contemporary Russian Cinema (2005-2016) , Academic Studies Press, forthcoming 2019 ( Brighton: MA ),

Hicks J ( 2019 ) . Austerlitz. Dir. Sergei Loznitsa. Germany, Imperativ Film, 2016. 94 min. Black and white. In German . Slavic Review vol. 77 , ( 4 ) 1048 - 1049 .

HICKS JG, Kaganovsky L, McKenzie S, Stenport A ( 2019 ) . Aid, Appropriation and Amnesia: Documentary Film and The Arctic Convoys of World War Two . Arctic Cinema and the Documentary Ethos , University of Indiana Press ( Bloomington ),

Hicks J ( 2019 ) . Sentimental Tales . RUSSIAN REVIEW vol. 78 , ( 4 ) 664 - 665 .

HICKS JG, Crowe DM ( 2019 ) . Soviet Journalists at Nuremberg: Establishing the Soviet War Narrative . Stalin's Soviet Justice: ‘Show’ Trials, War Crimes Trials, and Nuremberg , Bloomsbury Academic ( London ),

HICKS JG ( 2018 ) . Kul´t lichnosti v fil´makh Mikhaila Romma . International Journal of Cultural Research (Mezhdunarodnyi zhurnal isledovanii kul´tury) vol. 2(3) , 83 - 91 .

HICKS JG, Frank SK ( 2018 ) . Bewegte und unbewegte Blicke der Toten: Aus der Warchauer Ghetto und Charkiv . Bildformeln: Visuelle Erinnerungskulturen in Osteuropa , transcript Verlag ( Bielefeld ),

HICKS JG, Finney P ( 2017 ) . A Holy Relic of War: The Soviet Victory Banner as Artefact . Remembering the Second World War , Routledge ( London ),

Hicks J ( 2017 ) . Golos kak kul΄turnyi fenomen. By Oksana Bulgakova . Moscow: Novoe literaturnoe obozrenie, 2015. Ocherki vizual΄nosti. 568 pp. Appendix. Notes. Index. Paper . Slavic Review vol. 76 , ( 1 ) 267 - 268 .

Hicks J ( 2016 ) . Appropriating the presence of history: raising the Victory Banner over the Reichstag . Screen vol. 57 , ( 3 ) 362 - 370 .

Hicks J, Saxton L, Westwell G ( 2016 ) . Rising flags, falling soldiers: film, icons and political violence . Screen vol. 57 , ( 3 ) 336 - 342 .

Hicks J ( 2016 ) . Soiuzdetfilm . A Companion to Russian Cinema , Wiley

Hicks J ( 2015 ) . Filming the end of the Holocaust: allied documentaries, Nuremberg and the liberation of the concentration camps . Historical Journal Of Film Radio and Television vol. 35 , ( 4 ) 682 - 684 .

( 2014 ) . Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917–1989, Re-Visions . Taylor & Francis

HICKS JG, Kaganovsky L, Salazkina M ( 2014 ) . Challenging the Voice-of-God in Soviet Documentaries of World War II . Sound/ Music/ Speech in Soviet and Post-Soviet Cinema , Indiana University Press ( Bloomington ),

Hicks J ( 2014 ) . The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe by Olga Gershenson (review) . Ab Imperio vol. 2014 , ( 3 ) 495 - 501 .

HICKS JG ( 2013 ) . ‘“Soul Destroyers” – Soviet Journalism on the Krasnodar and Kharkov trials,’ . History: the journal of the Historical Association vol. 98 , ( 332 ) 530 - 547 .

HICKS JG ( 2013 ) . "Too Gruesome to be Fully Taken in": Konstantin Simonov’s “The Extermination Camp” As Holocaust Literature . The Russian Review: an American quarterly devoted to Russia past and present vol. 72 , ( 2 ) 242 - 259 .

Hicks J ( 2013 ) . Through Soviet Jewish Eyes: Photography, War, and the Holocaust by David Shneer (review) . Shofar An Interdisciplinary Journal of Jewish Studies vol. 31 , ( 3 ) 176 - 178 .

Hicks J ( 2013 ) . Challenging the voice of god in world war II-Era Soviet documentaries . Sound Speech Music in Soviet and Post Soviet Cinema ,

Hicks J ( 2013 ) . Fighting Words and Images: Representing War across the Disciplines . RUSSIAN REVIEW vol. 72 , ( 1 ) 160 - 161 .

Hicks J ( 2013 ) . ORDINARY FASCISM . Encyclopedia of the Documentary Film 3 Volume Set , vol. 1-3 ,

Hicks J ( 2013 ) . VERTOV, DZIGA . Encyclopedia of the Documentary Film 3 Volume Set , vol. 1-3 ,

Hicks J ( 2013 ) . Vertov, Dziga . Concise Routledge Encyclopedia of the Documentary Film ,

Hicks J ( 2013 ) . Zoshchenko, Mikhail 1894–1958 . Encyclopedia of Life Writing Autobiographical and Biographical Forms ,

Hicks J ( 2012 ) . First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46 . University of Pittsburgh Press ( Pittsburgh ),

HICKS JG ( 2012 ) . The Archipelago of Gulag Film . When the Elephant Broke Out of the Zoo: A Festschrift for Donald Rayfield , Stanford Slavic Studies ( Stanford ),

HICKS JG, Pozner V, Laurent N ( 2012 ) . «Les Morts ne mentent pas» : le cinéma soviétique, la Shoah et le procès de Nuremberg . Kinojudaica: l’image des Juifs dans le cinéma russe et soviétique des années 1910 aux années 1960 , Noveau monde ( Paris ),

HICKS JG ( 2012 ) . ‘El juicio de los pueblos: los muertos nunca mienten,’ . Archivos de la filmoteca ( 70 ) 29 - 42 .

HICKS JG, Beumers B, Condee N ( 2011 ) . Sokurov’s Documentaries . The Cinema of Alexander Sokurov , IB Tauris ( London and New York ),

HICKS J, Cesarani D ( 2011 ) . From Atrocity to Action: How Soviet Cinema Initiated the Holocaust Film . Justice, Politics, and Memory in Europe after the Second World War: Landscapes After Battle , vol. Vol. 2 , Vallentine Mitchell ( Edgware ),

HICKS JG ( 2009 ) . Confronting the Holocaust: Mark Donskoi’s The Unvanquished . Studies in Russian and Soviet Cinema vol. 3 , ( 1 ) 33 - 51 .

Bohlinger V, Sharp I, Taylor R, Sarkisova O, Kepley V, Hicks J, Chernetsky V, Prokhorov A et al. ( 2009 ) . Reviews . Studies in Russian and Soviet Cinema vol. 3 , ( 3 ) 353 - 385 .

Hicks J ( 2009 ) . Revue (Predstavleniye) (2008) (review) . Film & History An Interdisciplinary Journal vol. 39 , ( 2 ) 63 - 65 .

HICKS J, Beumers B ( 2009 ) . Confronting the Holocaust: Mark Donskoi’s The Unvanquished, . Studies in Russian Soviet Cinema vol. 3 , ( 1 ) 33 - 51 .

Hicks J ( 2009 ) . The Vertov Collection at the Austrian Film Museum . vol. 87 , is. 1 , pp. 119 - 120 .

Graffy J, Beumers B, Morley R, Renfrew A, Cavendish P, Taylor R, Graffy J, Widdis E et al. ( 2008 ) . A hundred years of Russian film: the forgotten and the under-rated . Studies in Russian and Soviet Cinema vol. 2 , ( 3 ) 327 - 354 .

Hicks J ( 2008 ) . Russian Studies: Russian Film Studies . The Year’s Work in Modern Language Studies vol. 70 , ( 1 ) 871 - 882 .

HICKS JG, Hutchings S ( 2008 ) . Lost in Translation? Did Sound stop Soviet Films finding Foreign Audiences? . Russia and Its Other(s) on Film: Screening Intercultural Dialogue , Palgrave Macmillan

Heywood A, Morison J, O'Rourke S, Williams H, Neumann M, Hicks J, Baron N, Healey D ( 2007 ) . BOOK REVIEWS . Revolutionary Russia vol. 20 , ( 2 ) 225 - 241 .

Hicks J ( 2007 ) . Worker correspondents: Between journalism and literature . RUSS REV vol. 66 , ( 4 ) 568 - 585 .

Prokhorova E, Prokhorov A, Hutchings S, Hartmann U, Hicks J, Graffy J, Norris SM ( 2007 ) . Book Reviews . Studies in Russian and Soviet Cinema vol. 1 , ( 3 ) 329 - 349 .

HICKS JG ( 2006 ) . From Conduits to Commanders: Shifting Views of Worker Correspondents, 1924-26 . Revolutionary Russia vol. 19 , ( 2 ) 131 - 149 .

HICKS JG ( 2006 ) . Dziga Vertov: Defining Documentary . IB Tauris ( London ),

Hicks J ( 2005 ) . The international reception of early Soviet sound cinema: Chapaev in Britain and America . HIST J FILM RADIO TV vol. 25 , ( 2 ) 273 - 289 .

( 2004 ) . Russian and Soviet Film Adaptations of Literature, 1900-2001, Screening the Word . Taylor & Francis

Hicks J ( 2004 ) . Visions of a new land: Soviet film from the Revolution to the Second World War . vol. 99 , pp. 1127 - 1128 .

Hicks J ( 2004 ) . Zoshchenko and the Ilf-Petrov partnership: How they laughed . vol. 82 , is. 4 , pp. 949 - 950 .

Hicks J ( 2004 ) . Against the grain: Parody, satire, and intertextiuality in Russian literature . vol. 63 , is. 3 , pp. 681 - 682 .

HICKS JG, Hutchings S, Vernitski A ( 2004 ) . Educating Chapaev: From Document to Myth . Russian and Soviet Film Adaptations of Literature, 1900-2001 , Routledge Curzon ( London ),

Hicks J ( 2003 ) . Vsevolod Pudovkin: Classic films of the Soviet avant-garde . MOD LANG REV vol. 98 , 1070 - 1071 .