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  1. Queen Mary University of London
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  3. Publications

Publications: PROF Nicholas Ridout

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Ridout N ( 2020 ) . Scenes from Bourgeois Life .
RIDOUT NP ( 2019 ) . Intermission . Postdramatic Theatre and Form , Methuen Drama
Ridout N ( 2019 ) . Media: Intermission . Bloomsbury Publishing Plc
Ridout N ( 2019 ) . Social Functions: Consumers and Producers . A Cultural History of Theatre in the Modern Age Volume 6 , vol. 6 ,
Ridout N ( 2018 ) . On Dialectics . Performance Research vol. 23 , ( 4-5 ) 71 - 73 .
RIDOUT NP ( 2017 ) . Social Functions: Producers and Consumers . A Cultural History of Theatre in the Modern Age , A&C Black
Jones J, Ridout N ( 2015 ) . A History of Modern Oman . Cambridge University Press
Ridout N ( 2015 ) . Welcome to the Vibratorium . The Senses and Society vol. 3 , ( 2 ) 221 - 232 .
RIDOUT NP ( 2015 ) . I vivi e i morti: la solitudine in relazione’ . Toccare il reale, il teatro di Romeo Castellucci , Cronopio ( Napoli ),
Ridout N ( 2015 ) . THE THEATRICAL PUBLIC SPHERE . TLS-THE TIMES LITERARY SUPPLEMENT ( 5843 ) 32 - 32 .
Ridout N ( 2014 ) . Regarding Theatre: Thoughts on Recent Work by Simon Vincenzi and Romeo Castellucci . Theatre Journal vol. 66 , ( 3 ) 427 - 436 .
Ridout N ( 2014 ) . On literality and limits: Romeo Castellucci of Socìetas Raffaello Sanzio in conversation with Nicholas Ridout . Theatre and Adaptation Return Rewrite Repeat ,
Ridout N ( 2014 ) . THE GHOSTS OF THE AVANTGARDE(S) Exorcising experimental theatre and performance . TLS-THE TIMES LITERARY SUPPLEMENT ( 5784 ) 27 - 27 .
Jones J, Ridout N ( 2013 ) . Oman, culture and diplomacy .
RIDOUT NP ( 2013 ) . Passionate Amateurs: Theatre, Communism, and Love . University of Michigan Press ( Ann Arbor, MI ),
Ridout N ( 2013 ) . The Vibratorium Electrified . Vibratory Modernism , Palgrave Macmillan UK
Ridout N, Schneider R ( 2012 ) . Precarity and Performance: An Introduction . TDR/The Drama Review vol. 56 , ( 4 ) 5 - 9 .
RIDOUT NP ( 2012 ) . Opera and the Technologies of Theatrical Production . The Cambridge Companion to Opera Studies , Cambridge University Press
Ridout N ( 2012 ) . On the Work of Things: Musical Production, Theatrical Labor, and the “General Intellect” . Theatre Journal vol. 64 , ( 3 ) 389 - 408 .
( 2012 ) . Archaeologies of Presence . Routledge
Jones J, Ridout N ( 2012 ) . Oman, culture and diplomacy .
Jones J, Ridout N ( 2012 ) . OMAN, CULTURE AND DIPLOMACY .
Ridout NP ( 2010 ) . ‘Ice, or a Collective History of the History of our Collectivity in the Theatre’ . Theater Historiography , Univ of Michigan Pr
Ridout N ( 2009 ) . Stage Fright, Animals, and Other Theatrical Problems . Cambridge University Press
Ridout N ( 2009 ) . <i>Small Acts of Repair: Performance, Ecology and Goat Island.</i> Edited by Stephen Bottoms and Matthew Goulish. London: Routledge, 2007; 264 pp. $125.00 cloth, $37.95 paper . TDR/The Drama Review vol. 53 , ( 3 ) 170 - 172 .
Ridout N ( 2009 ) . Theatre & ethics . Palgrave MacMillan
Ridout N ( 2008 ) . Performance and democracy . The Cambridge Companion to Performance Studies , Cambridge University Press
RIDOUT N ( 2008 ) . 'Performance in the Service Economy . Double agent ,
RIDOUT NP ( 2008 ) . Di tre tipi di appartanenza . B.Motion Spazio di Riflessione fuori e dentro le arti performative , Costa & Nolan ( Milan ),
Kelleher J, Ridout N, Castellucci C, Guidi C, Castellucci R ( 2007 ) . The Theatre of Societas Raffaello Sanzio . Routledge
RIDOUT NP ( 2007 ) . The Worst Sort of Places . Theater vol. 3 , ( 37 ) 6 - 15 .
( 2006 ) . Contemporary Theatres in Europe . Routledge
( 2006 ) . Introduction . Routledge
( 2006 ) . Make-believe: Socìetas Raffaello Sanzio do theatre . Contemporary Theatres in Europe , Routledge
Kelleher J, Ridout N ( 2006 ) . Contemporary Theatres in Europe: A Critical Companion .
Ridout N ( 2005 ) . Tragedy at Home: Socìetas Raffaello Sanzio at Laban . PAJ: A Journal of Performance and Art vol. 27 , ( 3 ) 83 - 92 .
Jones J, Ridout N ( 2005 ) . Democratic Development in Oman . The Middle East Journal vol. 59 , ( 3 ) 376 - 392 .
Ridout N ( 2005 ) . Staging the Savage God: The Grotesque in Performance (review) . Theatre Journal vol. 57 , ( 2 ) 344 - 345 .
Ridout N ( 2005 ) . On theatre . PERFORMANCE RESEARCH vol. 10 , ( 1 ) 1 - 1 .
Ridout N ( 2005 ) . Performance after Automation . Routledge Companion to Performance and Technology , Routledge
RIDOUT N ( 2004 ) . Animal Labour in the Theatrical Economy . Theatre Research International vol. 29 , ( 1 ) 57 - 65 .
Ridout N ( 2004 ) . After jihad: America and the struggle for Islamic democracy . INTERNATIONAL AFFAIRS vol. 80 , ( 1 ) 134 - 135 .
RIDOUT NP ( 2002 ) . Two Parrots and an Answering Machine: Some Problems with Knowledge and Memory . Performance Research vol. 7.4 , 42 - 47 .
RIDOUT NP ( 2002 ) . Eat, Drink, LIFT: reflections on the festival . TheatreForum vol. 22 , 108 - 111 .
RIDOUT NP ( 2002 ) . Voir Defaire, translated by Dominique Hollier . To Carthage Then I Came , Actes Sud ( Arles ),
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